Live, From the Delay is a beautiful, collaged poem by Ryan Flaherty. The book is designed to be read like a standard codex (with fold down accordions) or folded out and read as a wall hanging (as shown above).

Letterpressed on cotton/abaca textweight sheets, with covers comprised of Alabama Kozo, Abaca, Cotton, Flax, and Linen. Limited edition of 65.

50 Dollars

From the author's process: "Rather than composed, the poem was constucted from several years' worth of notes, which were either written for this poem or were pieces that fell off other poems. Over a month long period, I cobbled these fragments together on 3 X 6 sheets of paper tacked to an unused door propped up in my attic."

Abandoned Tales is a collection of screwy, perverted, beautiful folk tales by Michael Lee.

A single pamphlet letterpressed on entirely on three different handmade papers made by Small Fires Press.

Illustrations by Cherie Weaver. Edition of 65.

45 Dollars.

Biographies:

Michael Lee's work can be found in Conjunctions and Denver Quarterly. He lives in New Orleans.

Born in a warren, moved to a burrow, raised in a barn, Cherie Weaver lives in Austin, Texas where she's found gainful employment as a yeti genealogist & urban wood-sprite.

I, NE: Iterations of the Junco is a collaboration between John Chavez, Megan Gannon, Rachel May, and Joshua Ware. Illustrations by Meaghan Perry.

Letterpress-printed on 18 file cards in a handmade paper slipcase. Edition of 100.

$75.00

We begin with the line, “Juncos hollow white noise limbs dreaming through the ice,” then we augment and erase. We cross-pollinate. We become through nonce form, arbitrary delimiting, & spatial re-orientation.

Of becoming, or more particularly, of becoming-imperceptible, Deleuze and Guattari write: “the truth [is] that all becomings are molecular. The molecular has the capacity to make the elementary communicate with the cosmic: precisely because it effects a dissolution of form that…guarantees a continuum by stretching variation far beyond its formal limits.”

The becoming-imperceptible of the collaborative process helps us follow a line of flight where: “We are no longer ourselves, [where] we have been aided, inspired, multiplied.”

The Wheat Wars is written by Erasmus Gould, municipal spy and national man of mystery, and edited by Alex Chambers. Illustrations by Cherie Weaver.

Essay explaining how corn came to dominate wheat in the national mindset. Letterpressed, with handmade cotton covers. Edition of 55.

$15.00

From Khunk to Chunk is written by Erasmus Gould, municipal spy and national man of mystery, and edited by Alex Chambers. Illustrations by Cherie Weaver.

Essay on the history and evils of corn syrup, letterpressed, with handmade cotton covers. Edition of 55.

$15.00

Some Bridges Migrate is written by Scott Pierce & features artwork by Cherie Weaver: a fully letterpressed twelve-page chapbook made with photopolymer type on Frankfurt paper with a handmade cotton/flax coverstock in an edition of 100.

$20.00

Biographies:

Scott Pierce is toasted in Austin, TX and does labor camp time-release
tablet by day, and by night produces the sweet pap of the Effing Press.

Cherie Weaver is an artist who lives and works in Austin, Texas. She is currently under the spell of a Bill Callahan lyric that urges us all to be "the fire part of fire" and enjoys any opportunity to talk about herself in the third person.

Cob Webs is written and illustrated by Laura Swan & is fully letterpressed via photopolymer reproduction with a hand-colored title. On Frankfurt White paper.

An 8-page one page book in an edition of 80.

Only $6.00

Some Bridges Migrate is written by Scott Pierce & features artwork by Cherie Weaver: a fully letterpressed eight-page chapbook made with photopolymer type on Frankfurt and Khadi papers in an edition of 100.

SOLD OUT

Biographies:

Scott Pierce is toasted in Austin, TX and does labor camp time-release
tablet by day, and by night produces the sweet pap of the Effing Press.

Cherie Weaver is an artist who lives and works in Austin, Texas. She is currently under the spell of a Bill Callahan lyric that urges us all to be "the fire part of fire" and enjoys any opportunity to talk about herself in the third person.